The Departed Man's Inn

Inspired by the OST of Witcher 3's expansion, a blogpost from GoblinPunch, and possibly other stuff that I forgot about.

The blog's purpose did change over the years, I figured every once in a while I could make another location you could plop anywhere in your world. Mainly when I have an idea that feels like it's worth exploring.

Note: Any similarities to real people or places is coincidental, other than Elza Beth. All of these are fictional people.

The Departed Man's Inn

Somewhere, be it just on a road between big cities, or on the crossroads where several such roads meet, stands The Departed Man's Inn. Far away from any big noteworthy city, this tavern seems to be nothing important at a glance. It's actually surprising they have any regular patrons at all. But those who look beyond the facade presented to the public will find a terrifying truth. The inn has lots of traps hidden all over the place, and it even hides a secret basement underneath the cellar. Some of the beds have mechanical spikes that spring at midnight, impaling whoever is unfortunate enough to lie on them. The subtle drainage system built in those few selected rooms lead all of the blood down beneath the inn, right into a bathtub. What's more, this place is full of highwaymen. A group of outlaws, who just so happen to be... immortal?
The Departed Man's Inn, including its regular patrons, is composed of a group of immortal people in hiding, robbing traveling merchants in their free time, because what else will they do. Each of them is immortal in their own way.

D.A.

D.A. is the goblin with a silver tongue. He managed to convince the Vile Darkness — the lord of hell itself (or another appropriate Lower Plane of your choice) — to grant him immortality. It was supposed to be a devil deal that would backfire, but D.A.'s talent of writing contracts is what has given him this immortality. It's also the explanation for his nickname — Devil's Advocate, D.A. He is the third youngest member of the group, and ultimately his goal is to overthrow the leader and manage the group as the boss.

Dorien

Because of a badly worded wish upon encountering a genie, this male dwarf has been turned into a vampire. He is a patient man, rather slow but also artistically talented, and elegant. With the time he has been given, he is capable of painting the same painting for months, sometimes even years. His life goal is to paint a masterpiece to be remembered by forever.

Elza Beth

Taking inspiration from an actual legend, this young-looking female aasimar lures into the Departed Man's Inn young virgin women to slay them and bathe in their blood. This is what keeps her youth, both in appearance and in age. Her only wish is to keep her beauty and admiration from others. She's actually rather reserved when not on the "hunt", keeping to herself

Jack Hopkins

Legends say, that those who have been denied from every single afterlife are fated to travel across the lands, cursed with eternal life. Jack is a ghost banned from any life beyond death, bound to a simple amulet. He can possess people seen by him, which he usually uses to bring in victims for Elza and Dorien to keep their eternal lives. Whenever he possesses someone, the person visibly wears Jack's amulet. Jack is an eccentric prankster, who just wants to enjoy the life for what it's worth, since he's got unlimited supply of it. Drinking, drugs, and other pleasures that would normally damage the body are of no worry to someone, who can exchange bodies with others.

Jade Hart

It is rather unusual to meet a goliath wizard. Second in leadership only to Thomas, she's the brains behind this whole tavern. Jade has several clones prepared in the secret basement beneath the inn's cellar. She's supportive, willing to listen to anyone who has a problem — patron or fellow highwayman. Reading makes her happy, and scrolls containing any spells that she doesn't have yet in the nearly complete spellbook make her even happier. Rumors between the Inn's employees say that her heart is literally a heart of stone, but nobody can tell for sure whether that's true or not.

Lapis Goldielocks Gyroscope

Thanks to her alchemical prowess, Lapis has managed to successfully create a recipe for potion of immortality, which allows her body to regenerate very fast. She's a gnome with an ambitious goal of creating her very own universe in a box. She's naturally curious about all the travelers, and a good listener since she usually pretends to be the barmaid.

Maximillion Dyson Gyroscope, or M.A.X.

Through complicated research, Maximillion has managed to develop his very own spells, akin to magic mouth or arcane lock, but with telekinesis activated by seen inputs. Afterwards, this gnome has built himself an iron golem body, cast imprisonment on himself, and through his visual commands managed to insert the gem used for the imprisonment spell into the chest of the golem. His wish is to outlast even the gods with his ingenuity, and when he's not pretending to be a bodyguard of this tavern, he's constantly working on new gizmos, under a nickname of "Mechanical Autonomous eXterminator", or M.A.X.

Queen of Aces

Bearing the nickname of a Queen is something only someone very proud of their skills would dare to do. Queen is excellent at all sorts of games, and a very fast learner. It is said that the more she plays against the same opponent, the higher her chances of beating them. This lordly gambler has challenged the death itself to a game, and coincidentally won. Ever since, she's been on a winning streak, with a goal of amassing as much wealth as possible for her own amusement.

Immortal Jim and Lilac "Steel Doll" Hemsi

These two siblings are fairly old, and blessed by the gods with skin that's as hard as steel. Both of them are immortal, but for different reasons. Jim will only take damage that's 3 or less at once, while Lilac takes damage only if it's dealt to the pinkie toe on her left foot, which she usually hides with steel-tipped boots. The two siblings care for each other, and technically aren't even immortal. Thomas took them in for their potential when it comes to being in the fight. While Jim is a bit of an airhead who gets angry quickly at even the smallest things, Lilac fills in for his weaknesses by being exceptionally good at reading people and noticing things.
They don't really get a picture, because this is a blank I'd want you to fill out on your own. Do they look like barbarians from north? Like desert travelers? Do they look like stereotypical adventurers? You tell me!

Thomas Booker O'Ville, also known as The Vile Darkness

The lord of hell (or another appropriate Lower Plane) that D.A. managed to trick. He is the oldest member of this group, the leader, and also the founder. He is a trickster, elegant on the outside but playing mind games at all times with folks. Who knows if D.A. tricked him, or if Thomas got him where he wanted to have D.A. all along. Due to being the lord of hell, he always comes back to life by emerging from the hell after his death. To the public, he presents himself as the owner of The Departed Man's Inn.
Some rumors say that he is the Book of Vile Darkness, manifested into a physical form. Which is why there's only one known way of destroying him permanently — wiping out all of the multiverse's evil.

And I suppose that's it for The Departed Man's Inn! Sure I could go into more details, like the environment, or the tavern's layout, or more detailed roles for the rest of the characters, but I would rather keep the details like that vague so that it fits into majority of the worlds. Imagine having your players start in this inn before they venture into the adventures of the world, having little to no clue as to who manages this inn until way later in the game. You can of course alter the crew of this inn by adding or removing members, editing the existing ones, or doing any other modifications you can think of.

Thank you for reading, and have a nice day!

Weave Magic and Unbound Magic

Magic is one of the biggest parts of the D&D system. Taking up over 80 pages out of the Player's Handbook's 300+ pages, it's fair to say it is important to most players. With the recent release of the new Psionic Options Unearthed Arcana, we've got some extra lore on the psionics. And while previously I found presence of psionics to be fairly pointless since it's basically fancy magic, upon reading this lore it made me realize that this is an untapped space of potential out there for everyone to explore. Quoting the Unearthed Arcana:

Is Psi a Form of Magic?

Psi is a supernatural power that emanates from the mind. Like other forms of supernatural power in D&D, it can be used to create magical phenomena, yet it can create other sorts of phenomena as well. In the game’s rules, only certain supernatural effects are classified as magical: magic items, spells, spell attacks, powers fueled by spell slots, and any other effect that the rules explicitly call magical. This distinction is rarely relevant in play, typically coming up only when something like an antimagic field shows up.
From a storytelling standpoint, some supernatural effects in D&D weave their power into a formalized form—a spell, for instance—that other effects can disrupt. In contrast, there are other supernatural effects that are so wild, formless, or subtle that it is difficult or impossible to disrupt them. In this article, some of the psionic powers create what the rules consider to be magic and some don’t.

Artwork from the TavernTales RPG

With that out of the way, I would like to propose that there are two types of magic in D&D. It's not just inborn vs. gained, or arcane vs. divine this time around. This time, we're looking at a much bigger picture—Weave magic, and Unbound magic. And while the original definition of the eight caster classes in the game stay for the most part the same, some rewording to the usual explanations is necessary.
(Note: After rereading and researching online, I found out that Unbound Magic is a term used in Guild Wars 2. But I don't think renaming it is a good idea for now, since this is the best term I could come up with for magic that doesn't rely on Weave. If anyone has suggestions for a better name, feel free to tell me in the comments!)

Weave Magic

For the sake of clarity, I'll begin with the classes that are already in the game. Notice that each of these is important in how they manipulate the Weave.

• Bard is characteristic for using their power of heart and/or soul through performing their art of choice to manipulate the Weave.
• Cleric harnesses the divine magic that comes from the deity it worships and uses that to manipulate the Weave.
• Druids live in harmony with the nature, which is why they can manipulate the Weave.
• Paladin magic comes from the power of their devotion. This is what lets them manipulate the Weave.
• Rangers have learned how to survive in the wilderness, and in doing so they learned how to access and manipulate the Weave.
• Sorcerers can manipulate the Weave because it's a talent they were born with. They just need to develop it.
• Warlocks have been given power to manipulate the Weave by an otherworldly patron.
• Wizards have studied how to manipulate the Weave by memorization and experimentation.

Sorry for so much repetition of "manipulate the Weave" line above, but it is important to today's article for one simple reason: antimagic field. This spell, or a magical effect (non-magical rather maybe?) is what is used for defining which magic comes from the Weave, and which is Unbound. Simple test of "does it work in antimagic field?" can answer our questions, because antimagic field literally prevents access to the Weave. To answer a possible question of "how can a spell do this?", I suggest a simple answer of the spell "pushing" the Weave away from the point of origin. There are of course dead magic zones and such too, but I'll just label it all antimagic field to be consistent.

Now we are finally ready to delve into the other type of the magic.

Unbound Magic

Since antimagic field cancels only spells, magic items, spell attacks, powers fueled by spell slots, and other effects that are explicitly called by rules "magical", that leaves some stuff that's not magic RAW, yet it is supernatural.

Our first example will be something already defined by the official rules: Monk. That's right, monk's abilities are our first case of the Unbound magic. Just as a proof, here's a short list of some of the supernatural effects level 20 monks can manifest even while fully inside of the antimagic field:

• running up the walls to a height of 60-ish feet in 6 seconds (120 if they Dash, 180 if they also use bonus action Step of the Wind to Dash),
• talking in all languages at once and understanding all languages,
• turning invisible for 1 minute.

Last time I've checked, someone running up a 50 meter wall in 6 seconds without falling and turning invisible were supernatural. The lore says it's magic. Yet, these abilities are not described RAW as magic. Previous editions have stated that monks basically use psionics. Some folks said that what psionics are to mind, monks are to body. I kinda like the latter explanation more, monks on their own don't seem psionic to me personally. The only things a monk can't do in antimagic field (ignoring subclass-specific stuff) are not being able to cast astral projection, and depending on the DM not being able to use Ki-Empowered Strikes.

Our next example, which doesn't really need much introduction or detail since it's still in a playtest form, is the various forms of psionics. They can be used to cast spells, they can also be used to do other supernatural effects without them really being stopped by antimagic field.

My final example that I'll talk about in a bit more detail is a full class made by Genuine Believer, which I decided I'll test out by including it in my current campaign's world. Icon is described as a martial class that wields magical masks that grant them various powers. Another interesting explanation for their power is this coming from a minor form of divinity. However, curiously enough, there aren't that many class features, which are described as "magical". The only spell present in the entire class write-up is the capstone feature of the Dragon mask, which allows the wearer to cast the shapechange spell, turning into a dragon. Some of the masks allow to deal magical types of bludgeoning/piercing/slashing damage, so those could also arguably be rendered nonmagical while in the antimagic field. But other than that, this class can work just as well in the field. Here are some supernatural effects that Icon is capable of even while in the antimagic field:

• wearing a mask that can't be removed without its permission,
• healing through sheer willpower,
• cause creatures around you to identify some traits of your choice just by a glance,
• not aging, not needing to eat, drink, or breathe,
• and gaining immunity to four types of damage.

Some other examples of Unbound magic classes that I found for now but don't feel like describing in detail are the following:

• Castellan,
• Disciple,
• and depending on whether you see the ability to train dragons as magical or not, Dragon Knight.

Conclussion

Weave magic is only one side of the coin when it comes to the worldbuilding using D&D 5e. A far scarier side of the coin is Unbound magic. Magic that can't really be detected with detect magic, prevented with dispel magic or antimagic field, something beyond the regular rules. Whether it's psionic, iconic, monastic, or of some other nature, Unbound magic holds, just as the name suggests, unbound potential for exploration in homebrew D&D design.
One last note - if you liked this article, you might also like my four different takes on psionics!

Thank you for reading, and have a nice day!

1d12 Fantastical Fruits!

How about I try something for once? Here are 12 unusual fruits that I made up for my world(s). Apologies ahead of time for all the puns, and I hope you'll enjoy reading this!

1. Catapple. An apple with two growths on top that resemble cat ears. These ears are one of the reasons why the catapples make for really good projectiles. If you're a bad performer, expect some rotten catapples being thrown at you besides rotten tomatoes. Being thrown catapples at is referred as "being catappled", from which the word catapult comes.
2. Goblin bean. Green beans with a strong bad smell. Only the most avantgarde gourmets would ever use them in meals, some of them managing to make them taste good. However, no gourmet can save you from the smell that comes after the beans, which is way worse than the smell of raw goblin beans.
3. Dragonberry. This strange berry resembles raspberry, with three to five big berries, usually in colors of chromatic dragons., each one different. They all have spikes on them, so make sure to break those off before eating the berries.
4. Fairberry. They look like regular blueberries, but taste much sweeter. However, those who eat these berries are reduced to Tiny size for 1 minute, which explains their name.
5. Githberry. These yellow raspberries grant the one who eats them temporary psychic powers. After eating them, they can cast one cantrip of DM's choice once. However, after finishing a long rest this use is wasted, and one can't have more than one cantrip ready like this.
6. Grandmelon. The watermelons grown by the giants themselves. These huge melons are bigger than a pig, and curiously enough - sweeter on the edges, as opposed to regular watermelons that are sweet in the middle. From this comes a saying about activities that get less fun the longer they go, which are "like eating a grandmelon". Due to their size and the taste distribution, they are eaten from the outside in.
7. Kenkunut. A black coconut that produces a raven shriek when cracked in a right way. Tastes like a regular coconut, but it's got a licorice aftertaste to it.
8. Honeyfruit. This fruit resembles an orange that's a little more yellow than its namesake, and is filled with juice that tastes and feels just like honey.
9. Pineana. Deadly pineapple that needs to be killed before being eaten. Pineanas are the most dangerous fruit around that will try to devour you first. It tastes like a mixture between pineapple and banana.
10. Melon-lemon. A melon-sized sour lemon. What else is there to say.
11. Blood pear. A pear that's bloody red on the inside. Interesting fact is that it has the taste and nutrients of regular blood, making it perfect for vegan vampires.
12. Starberry. This metal-looking strawberry with dots organized in a regular grid taste like ozone and have a metallic smell. After it fully grows, it never rots.

Sorry for being inactive for such a long time, my real life kept me busy. I'll try to write here more often. Thank you for reading, and have a great day!

So what's up with the blog?

Hope you didn't fall for my April Fools.

I'll keep the news brief. These days I'm working hard on some school stuff. I've got several projects that I am working on, most significant ones being a tabletop RPG system of my own, and a series of short stories that would take place in the world of Runehack. These stories will get their own tag so that it's easy to tell them apart from my regular posts.

I've got several ideas for the articles that I could post on this blog, but all of them lacked that spark I felt when writing most of my other articles, so I didn't get back to finishing them.

I do also have plans for 5e homebrews, but I don't know when will I manage to publish those. I did manage to publish another version of Sealed Horror, but judging by the feedback I received, it's still not complete.

Here's an overview of my homebrews up until now ever since Golden King Monk, excluding older versions of already updated brews. The list is organized in the order of newest to oldest.

Sealed Horror, a sorcerous origin
Minimus Magus, a fighter archetype
Monstrous Lord, a ranger archetype
The Backstabbing Friend, a magical item
Circle of the Blood Alchemy, a druidic circle
Rod of Fifth Glyph Chastising, a magical rod
Jánošík's Infamous Treasures, a set of magical items
Way of the Rubber, a monastic way
Path of the Organist, a barbaric path
Warp Sniper, a fighter archetype
Appliancebjörn, a sorcerous origin

Apologies for the inactivity on the blog. Have a nice day!

Theory: Is this show actually about a post-scarcity society?? (also goodbye homebrewing)

It has been done. Today, I released by Magnum Opus. The greatest 5e homebrew to ever see the light of day. I can do no more but bask in my glory, as I move on to more superior forms of activity. Like making complicated theories about animated shows for my own entertainment and upvotes on /r/fantheories.

HELLO INTERNET, WELCOME TO ANIME THEORY!

You know, ever since my young years, there's been this one show that I used to follow where a couple of cool characters wordlessly did funny stuff. And lately, these memories have resurfaced. I looked them up on youtube, and sure enough they're there. Seeing them though made me ask so many questions...

• What are they?
• Where are they?
• Are they the only ones?
• When are they?

All of these questions and much more will be answered in today's article. So sit back, bring popcorn, and let's see where this goes.

Alter Time rune and Epoch Engine

The world of Runehack has got two runes that mirror each other in an interesting way - Detection and Illusion. For every visual illusion such as a chair, there is some rune to detect it. For every sound produced by a rune, there is also a rune to detect it. This goes for all senses. But... does this work for the time too? How would that look? After all, time depends heavily on how you sense it. Time seems to flow super slow while in a doctor's waiting room, and super fast when you're having a blast. Time itself doesn't change though, your perception does. And you can definitely set up a rune to activate when the detection rune detects that five minutes have passed since activation.

Alter Time

Illusions of time are about as complicated to fully comprehend as the majority of uses for Encryption rune. What would that even mean? Could you travel in time? Well yes, but actually not really. The truth is, all of us are time travelers, traveling through time at the rate of 1 sps, one second per second.

The rune scheme called "Alter Time" lets us change this rate. At its simplest form, you need to spend one hour in drawing this complex rune. Doing so will seemingly slow everything around you down to go two times slower for one minute. Your rate of traveling through time is 2 sps. The rune can also be drawn in an exactly opposite way, letting you experience 0.5 sps, seemingly making everything around you two times as fast.

As soon as the spell stops working, your body reacts to being forced to move at the speed unusual to you as your muscles stiffen. In D&D terms, think of this as a reduction to the Dexterity score.

Question is - can we cast this spell so that we get higher or lower rates? Of course we can! But that also comes at a cost. For every added second (or smaller fraction), the length of time needed to draw this rune is multiplied by 10. So for 3 sps (or 1/3 sps), you need 10 hours, 100 hours for 4 sps, 1000 hours for 5 sps. As you can imagine, slowing time beyond 8 sps is not humanly possible (though let's admit it, it would be really cool). Especially since these runes have to be drawn continuously - you can't take breaks from magic. But... humanity is crafty, it keeps coming up with ways to break the world at all times.

Epoch Engine

Cabal Neuron, one of the organizations that rule the world of Runehack, and the largest producer of autonomous devices such as driverless vehicles and runebots, also creates special runebots named Epoch Engine. When an Epoch Engine unit is built, the first task it gets is to move into a specific area within the building and start drawing a rune of time illusion. This rune is drawn for anywhere from 3 days to even as much as 114 years.

May or may not come preprogrammed with the 3 Laws of Asimov? Actually, they'd be detrimental to their job, so probably not.
Robot Head 112417, by Aaron de Leon

 

The Epoch Engine units are afterward rented out to important people when they are about to find themselves in extremely important or dangerous situations where they can't afford a failure. The price depends on the size of its inscribed time rune. When something goes awry, an Epoch Engine unit will activate its spell, and do everything it can within the next minute to protect the person it was hired to protect. Due to it perceiving time at 5-8 sps, it is much faster and much more capable of preventing threats, and thus it makes for an effective bodyguard. Sure the attackers who put this important person in danger could expect that, but the VIP can always just rent more of these robots. Once its job is done, it is moved back to the Cabal Neuron facility, where it rests, and draws the time rune once more to be ready for the future.

Runehack now has robots that can be hired to protect a person by slowing their perception of outside time. That's pretty cool. I wonder what'll come next. Thank you for reading, and have a nice day!

How to do low magic?

Happy late New Year, everyone! Sorry for no posts, real life has a way of keeping me busy, but I should be slowly getting back on my tracks now.

During the last few months, I've been pondering how to do low magic settings properly in D&D 5th Edition. I've seen several attempts, but I was not satisfied, because they were not done in the way I wanted. And then it hit me - there is no single low magic. Thus, we got a problem with definitions. So I decided to team up with the Grisly Eye Games to set some terms, accidentally finding out how to do low magic 5th edition D&D settings in the process of doing that.

There are four main types of low magic in the fantasy worlds:

• low power magic
• low frequency magic
• low possibility magic
• low reliability magic

Low Power Magic

Low power magic is the type of magic that can't do things that are too powerful. It's one of my preferred types of magic, where grand things such as conjuring a fortress or summoning demons (depending on how low the author wants to keep the magic) are simply not possible.

There is a relatively simple way to do a low power magic setting, and that would be to limit, how many caster levels can the players get. Of course, divide half-caster levels by two and third-caster levels by three while counting. The rest of the levels have to be gained in non-caster class, such as monk, fighter, rogue, or barbarian.

When limiting the number of levels, consider what's the maximum caster level you want your players to gain. Depending on this level, different spell slots will be available to the players. If I were to limit the level of magic but still grant my players spell slots, I would most probably allow 10 caster levels. The 9th level is the moment at which the player gains some interesting spells, such as actual resurrections (that are not too strong and come with drawbacks), geas and modify memory, limited long-range teleportation, and several wall spells. I feel like these are still strong enough to be considered master-level magics by some standards. As for why 10th level and not 9th, some of the caster classes like warlock and wizard gain a subclass feature at 10th level, meaning that it could make for an interesting "caster capstone" of sorts.

Low Frequency Magic

The most common of the low magic setting types I've seen, the low frequency magic aims to limit how regularly does one meet with magic. This could be like the Shire in Lord of the Rings, where it's an event when Gandalf comes around, or like the muggle world in Harry Potter (think the beginning of the first movie, before Harry gets to the Diagonal Alley or Hogwarts). There is a charm to this type of low magic - it makes the magic rare, and mysterious. You either don't know when you're talking to a mage, or everyone knows.

How would this be possible is rather easy - set conditions for when a player gets to play someone magical. One good example would be Grisly Eye Games' method of Unique Backgrounds, which are backgrounds that lack a Feature, have an additional Unique Flaw, and let the player play as a race or class normally not allowed in a game. Another example could be gaining the magical powers through a quest, or the magical powers coming at a cost, such as being pursued publicly in a world where magic is forbidden.

Low Possibility Magic

Low Possibility Magic setting is a world, where magic can only be used for a few things. Some examples of this in the popular media would be the Death Note, where the Death Note can essentially only be used to kill people, determine how they die, and control the circumstances of their death (and see the gods of death, but that's not too important now is it), or Avatar the Last Airbender, where magic can be used to control one of the four elements - air, water, fire, earth - and do some other things that I don't think I should mention here.

One good thing about Low Possibility Magic is the potential to improve worldbuilding using this magic. Imagine magical elevators that are possible thanks to the telekinesis, or cancellation of lotteries/raffles due to divination magic. The fewer magic there is, the more manageable it is, and the easier it is to include in the worldbuilding. Which is rather difficult with over 400 spells that the 5th edition of Dungeons and Dragons has right now.

The solution to this is to limit which spells the players can and can't pick. Possibly even limit which classes players can pick. Or races. Mainly because this type of magic is all about limitations and how one can use a few things for many situations.

Low Reliability Magic

Last but not least, we have the low reliability magic world. Whether it's just magic that can just fizzle out and not work, or magic that has a chance to open a dimensional rift to the xeno hellscapes, this magic is simply not as well documented as the standard 5e's magic, where when you do a thing, it happens for sure.

There are several ways to do this type, but before I go on with that, a fair warning. Players may not like it when their magic doesn't work - whether it's just them expending a spell slot for nothing, or them getting hurt in the process, or their teammates getting hurt in the process and getting angry at the player. This type of low magic should be used with caution, for - just like the magic itself - it can have unpredictable results and may be risky.

So what does one do to make this work? Well, the answer is simple. Roll tables! If I had to call them anything better, I would call them "meta-spells". You can fill these tables with anything - you cast your spell, nothing happens, you conjure an evil monster, you cast maybe a wrong but similar spell or a portal to another dimension opens, ... anything you wish. They can also be of any size you are comfortable with - from d4 to d100, possibly even more or less. Not every cell needs to be different, and if you want your world to work that way, include in some way a possibility to affect the results depending on the caster's level. The easiest way to do that would be to add the caster level to the result and have the table organized from the worst results to the best.

Combined Low Magics

To finish off this article, I'll present the ways in which I'd implement combinations of these low magic types.

• Low Power Magic + Low Frequency Magic. The players have to fulfill special conditions to be able to gain caster levels or play as magical races, but they can only gain a certain amount of caster levels, having to multiclass into a nonmagical class for the rest. This is especially good for worlds, where the magic is significant because it's scarce (think Lord of the Rings).
• Low Power Magic + Low Possibility Magic. The players can only gain a certain amount of caster levels, and they have a limited selection of spells. This is especially good for the worlds, where the magic is supposed to be rather obscure and not too useful.
• Low Power Magic + Low Reliability Magic. The players can only gain a certain amount of caster levels, and the magic they use is not even deterministic anyway.
• Low Frequency Magic + Low Possibility Magic. The players must fulfill special conditions for the magic and they have a limited selection of magical options.
• Low Frequency Magic + Low Reliability Magic. The players must fulfill special conditions for the magic options, and the magic they use can have random outcomes.
• Low Possibility Magic + Low Reliability Magic. Only a few spells are known to the people, and even those can have unpredictable outcomes. If combined with high power magic, this could make for an interesting setting where the magic is forbidden because of the risks connected to it.

Thank you all for reading, and I hope you have a nice day and a good year 2019!

Runehack

Imagine for a moment a world where the runic magic is possible. It's a classic in fantasy, the kind of magic you have to write down and give a bit of magic to in order to make it work.  Let's limit ourselves to four kinds of runes: illusory runes that produce phenomena like sights and sounds (to the point where it can cause harm), divination runes that can find out stuff by themselves, movement runes that can move objects and creatures around (or even teleport them), and runes that can hide information by covering it with ciphers.

Now, imagine that you'd discover new kinds of runes, ones that can send out magic by themselves upon receiving some stimulus. Like for example, seeing the red color, or hearing the sound of a ringing bell, or when the person who this rune is drawn on goes through an intense emotion.

Now, imagine that you could also combine multiple stimuli, and have multiple effects attached to them too. Maybe this rune activates only when you're touching it and when you say a command word, and it shoots a ray of light accompanied by the celestial choir.

And now, try to picture someone piecing these runes together in an intricate way to make... a calculator. However, due to this being the first magical calculator, the runes fill pages of books, that fill shelves of a bookshelves, and these bookshelves fill out a room. Where to next?

Well, someone else who's smart realizes something at that point. They realize that you can minimize the runes, and have them still keep their magical efficiency. You could make them smaller and smaller, reducing room into a bookshelf, a bookshelf into a shelf, a shelf into a book, a book into a single page, and a page into a single playing card that can fit into your pocket.

Meanwhile, someone else who's smart and somewhere else in the world wanted to connect two of these calculators together. Once they did, they tried to connect a third one. And a fourth one. They thought long and hard, and realized that maybe... they should come up with a network that could be joined by any of these elaborate calculators.

And once that happens, you have a fantasy setting, where people carry around books as computers and laptops, cards in their pockets like smartphones, and connect to the internet. This is a vision I had for the setting that I call Runehack. More details on that sometime in the future.

Thank you for reading, and have a nice day!